A father-son comedy in which socially shy son Jackson (his real son John Owen Lowe) begins working for his successful and admired, but eccentric and narcissistic-adjacent, father Ellis (Rob Lowe) at his high-tech bio research facility in order to help save him from spiralling further following the death of his wife.
Good cast. I particularly like Rachel Marsh as Luna and Emma Pilar Ferreira as Ruby.
Many survivors took refuge in falloutbunkers known as Vaults, unaware each Vault was designed to perform sociological and psychological experiments on the Vault Dwellers.
More than 200 years later in 2296, a young woman named Lucy leaves behind her home in Vault 33 to venture out into the dangerously unforgiving wasteland of a devastated Los Angeles to look for her father, who had been kidnapped.
Along the way, she meets a Brotherhood of Steel squire and a ghoul bounty hunter, each has their own mysterious pasts and agendas to settle.
Colin from Accounts is an Australian comedy television series created and written by husband-and-wife team Patrick Brammall and Harriet Dyer, who also star as the show’s main characters. …
Set in Sydney, Australia and centred on Ashley (Harriet Dyer) and Gordon (Patrick Brammall), two singles who are brought together by a car accident and an injured dog whom they name Colin (from Accounts).
Ashley and Gordon are flawed, funny people who choose each other after being brave enough to show their true selves, scars and all, as they navigate life together.
Worth watching. Though I did feel the series got weaker towards the end.
It follows four women who were part of a girl group named Girls5eva, which was briefly popular around the year 2000 before fading into one-hit-wonder status.
Now unfulfilled in their various lives, they reunite to try to find musical success again.
I quite like Daniel Breaker as Scott, Dawn’s husband. He plays the one normal person in the show.
He decides to confront his fears and moves to his vacation house on Dark Score Lake, known as “Sara Laughs”.
On his first day, he meets Kyra, a 3-year-old girl and her young widowed mother, 20-year-old Mattie Devore.
Mattie’s father-in-law is Max Devore, an elderly rich man who will do anything to gain custody of his granddaughter. He was the bad guy when I quit the book.
Well … there is humour, mainly around quirky Ida — some sort of online detective hacker. She’s terminally ill so doesn’t much worry about anything she does.
The plot is confusing.
Opening Shot: “1994.” The camera pushes in on a house on a lake. SWAT teams arrive in rafts and put up their weapons.
The Gist: The SWAT teams are there to invade the house, in the French Alps village of Levionna, which is the headquarters of a cult led by Caleb Johansson (Stefano Cassetti). Johansson ends up being the only survivor after a mass suicide …
… set during World War II. It revolves around the characters Marie-Laure LeBlanc, a blind French girl who takes refuge in her great-uncle’s house in Saint-Malo after Paris is invaded by Nazi Germany, and Werner Pfennig, a bright German boy who is accepted into a military school because of his skills in radio technology.
It won the Pulitzer Prize for fiction.
Overall, I was disappointed.
Too long. Poor storytelling. It rambled too much.
There were dozens of scenes that could have been left out — leaving the core story stronger.
WHY have 4 diamonds? That added nothing but unnecessary pages.
I’m astonished that the Pulitzer judges were impressed.
The mini-series — 4 episodes — is MUCH BETTER.
Don’t listen to the critics who gave it only 27% on Rotten Tomatoes.
I commend the screen writers for improving so much of the messy book.
Werner Pfennig is a much stronger character on screen.
Marie-Laure is played by Aria Mia Loberti who is legally blind. She responded on a whim to an All The Light We Cannot See open global casting search posted online. An amateur. Well cast.
I’d agree with critics that the NAZIs are cliche in the TV series . No nuance.
That was my biggest complaint with the mini-series.
I wish he’d do something without having to rely on the shock value of ultra violence.
Casting is excellent.
Theo James carries the show and almost makes the absurd story believable.
Michael Vu as James “Jimmy” Chang, Susie’s chief weed grower is my favourite.
Edward Horniman has unexpectedly inherited an estate of 15,000 acres (6000 hectares) and the title of Duke of Halstead at the reading of the last will and testament of his deceased father.
He learns that the land has become part of a weed-growing empire run by Susie Glass.
He must navigate a world of eclectic and dangerous characters with nefarious agendas, whilst also trying to protect his home and stay alive.