Another great book from one of my favourite authors.
Hang On St. Christopher (2025) is the 8th novel in Adrian McKinty’s critically acclaimed Sean Duffy mystery series, released on March 4, 2025.
Despite the previous book, The Detective Up Late, being heavily promoted as Duffy’s final case, this instalment welcomes the street-worn detective back for another dangerous assignment.
The Setting: It is July 1992. The Troubles in Northern Ireland have been grinding on for 25 apocalyptic years.
Duffy’s Status: Sean Duffy has successfully relocated his family over the water to Scotland. He is now a semi-retired part-timer, only returning to Belfast six days a month just to secure his police pension.
The Inciting Incident: While his protégé, Detective Sergeant Lawson, is away on holiday in Spain, a seemingly straightforward case lands in Duffy’s lap. A middle-aged, solitary portrait painter is killed in what looks like a carjacking gone wrong.
The Twist: Duffy quickly uncovers that the dead painter was actually an IRA assassin.
The Stakes: Duffy is forced to figure out who hit the hitman and why. His investigation leads him into a complex web of parallel, true-events-based operations involving the CIA, MI5, and Special Branch, with the future of the burgeoning Irish peace process hanging in the balance
The execution terrible. Cinematography worse, even by 2006 production standards.
Patrick Stewart is a Special Science Advisor, who troubleshoots threats stemming from or targeting “scientific endeavour.”
He is joined by Rachel Young, played by Ashley Jensen, a Special Branch operative who acts primarily as his bodyguard, as Hood has made powerful enemies through his work.
The book opens four months after the dramatic cliffhanger of the previous novel, Bad Blood, where Aleut private investigatorKate Shugak was shot in the chest and nearly died,
Kate’s self-imposed isolation is shattered when a group of wilderness hikers stumbles near her territory. One hiker tumbles down a ridge and lands on a scattered heap of human bones. Realizing it is time to return to society, Kate packs up the remains, escorts the hikers back, and re-enters the town of Niniltna—shocking locals who assumed she was dead.
Once back, Kate is drawn into a complex web of corporate crime involving a lucrative secret gold mine: [1]
The Geologist: Kate is hired by Sylvia McDonald to find her missing husband, Fergus, a seasoned geologist who disappeared near the Suulutaq Mine. Fergus was known for taking solo treks into the wilderness with his rock hammer, but this time, he hasn’t returned.
The Bootlegger: Simultaneously, Jim Chopin begins a search for Kate’s cousin, Martin Shugak—a petty criminal and bootlegger who has also mysteriously vanished.
The Life of Chuck is a 2024 fantasy-drama film written, directed, and edited by horror auteur Mike Flanagan.
Moving away from his signature macabre horror style, Flanagan delivers a life-affirming, emotionally resonant adaptation of Stephen King’s 2020 novella of the same name.
The film took home the prestigious People’s Choice Award at the Toronto International Film Festival (TIFF).
The movie explores the life of an ordinary accountant named Charles “Chuck” Krantz through an unconventional reverse three-act structure:
Act III: Thanks, Chuck! – The film opens during a surreal, crumbling apocalypse where infrastructure fails and the world is slowly ending. Mysteriously, massive billboards and TV ads appear everywhere thanking an ordinary man named Chuck for “39 great years,” baffling local residents.
Act II: Busking – The narrative jumps back to Chuck’s adulthood, capturing a profound, spontaneous, and joyous street-dance sequence during a business trip that celebrates pure human connection.
Act I: Childhood – The final act explores Chuck’s upbringing by his grandparents after his parents die. He grapples with a love for dancing versus his grandfather’s practical accounting expectations, all while living in a home with a supernatural, prophetic secret hidden in the attic.
The underlying thesis reveals that the global “apocalypse” in Act III is actually the fading consciousness and brain decay of Chuck himself as he lies dying in a hospital bed.
The film acts as a metaphor for the Walt Whitman philosophy that every single human “contains multitudes” and holds an entire pocket universe within their mind.
I enjoy some of the small touches, however. For example, Emily Blunt’s character (Margaret Fairchild) has a musician boyfriend named Jackson, who is played by Wyatt Russell. That character is funny and believable.
Pegg stars as Nicholas Angel, an elite police officer who is reassigned to a West Country village and investigates a series of gruesome deaths. Nick Frost co-stars as Police Constable Danny Butterman, Angel’s partner. …
Wright and Pegg spent eighteen months writing the script.
The first draft took eight months to develop, and after watching 138 cop-related films for dialogue and plot ideas
Influenced by American movies like Raising Arizona ,Bad Boys, & Point Break, the cinematography in Hot Fuzz (2007), shot by Jess Hall, parodies Hollywood action movies by applying a blockbuster visual style to a sleepy English village.
High-contrast lighting, wide-angle lenses, and rapid-fire editing.
The film features over 5,500 edits. Fast cuts connect quick “insert shots” (close-ups of objects like a gun, a pen, or a badge) with wide shots. This turns mundane chores into high-intensity action.
Director Edgar Wright frequently cuts to extreme close-ups of eyes, boots, and weapons to build dramatic tension.
The “Whip Pan”: The camera rapidly swings to the side. This creates a blur effect.
The “Crash Zoom”: The camera violently zooms into a character’s face during moments of sudden realization. It is a classic 1970s and 1980s cop-movie trope used for comedic effect.