The Republican tribe is urged to NOT LOOK UP at the planet busting comet. And deny what they can see with their own eyes. 😀 It parallels the American idiocracy of covid denial, for example. Apathy, incompetence and self-interest.
Denial of science.
It’s certain ReTrumplicans will hate this film.
This movie came from my burgeoning terror about the climate crisis and the fact that we live in a society that tends to place it as the fourth or fifth news story, or in some cases even deny that it’s happening, and how horrifying that is, but at the same time preposterously funny.[10]— Adam McKay, writer, director, and producer of Don’t Look Up
Trump too abruptly abandoned Syria. Biden did the same in Afghanistan.
Worldwide there are millions of people trying to flee.
I don’t understand why organizations — and billionaires — are not funding MORE and BETTER refugee camps. Only about 25% of refugees are in camps.
Syria
Life in a refugee camp should be minimal. But safe. Good security. Clean water. Decent health care. Education should be provided for kids who make up about 50% of the population.
My buddy Mike Sissons is an artist in Madrid. Some of his recent work features refugees.
If you are irked that I call Donald Trump the fat golfer, please stop following my posts.
After a lifetime study of comparative religion, Joseph Campbell concluded that the best course was to Follow your Bliss. Make a list of those things in your life that you most enjoy; those things that enervate you, compel you; interest you in a sustained way. Do them!
Make a second list of those things that vex your existence. How can you avoid or minimize those? CANCEL them.
When in office I mostly called Trump the toddler President — rash, undisciplined, selfish, spoiled. Out of office fat golfer better sums up my opinion of him in a short, colourful way. Trump is the master of name calling. Since he does it, I feel it’s ethical to reciprocate.
The Ugly American
I believe in freedom of speech. The fat golfer can say whatever he wants on his golf course. BUT not in my home. Not on my blogs. Nor my social media feeds.
I also believe in the freedom to NOT listen to speech.
Since Rush Limbaugh — the Big Fat Idiot — popularized the notion of cancelling people in the 1980s, the word cancelled has become increasingly loaded. And increasingly meaningless.
Though I’m left leaning, I haven’t yet cancelled JK Rowling, Woody Allen, Jordan Peterson and many more. You should if they irritate you enough.
I AM quick to unsubscribe to organizations and people I believe are distributing dangerous and/or unethical content online.
Certainly the American GOP / FOX money making machine picks a new Mr. Potato Head to cancel every day. Gots to keep their mostly old, white supporters angry. (That story was fake news, by the way.)
The best coverage of this issue I’ve heard is on my favourite podcast – Reputation.
In a landmark trial in California, Meta and Google are being accused of addicting children to social media. On this week’s On the Media, hear how the dramatic proceedings are playing out, and how measures to protect kids online can backfire. Plus, why are betting companies showing up in newsrooms?[01:00] Host Brooke Gladstone speaks with Madlin Mekelburg, a legal reporter at Bloomberg, about the landmark lawsuit against Google and Meta that went to trial this week. The social media giants are being accused of deliberately designing their platforms in a way that is addictive and harmful to children’s brains, and the verdict of this case will influence the outcomes of thousands of similar cases across the country. Plus, neuroscience researcher Ian Anderson explains why the ‘addiction’ framework misses the complexity of what social media does to our brains. [20:00] Brooke interviews Julia Angwin, investigative journalist and founder of Proof News, a nonprofit journalism studio. They discuss the tools that users can employ to protect themselves against doomscrolling, and how social media bans across the world can sometimes do more harm than good. [34:41] Host Micah Loewinger speaks with Judd Legum, the author of the accountability newsletter Popular Information, about the explosive rise of prediction markets, and the implications of their growing partnerships with newsrooms. Further reading / watching:“Social Networks Face Big Tobacco Moment Over Addiction Cases,” by Madlin Mekelburg“Overestimates of social media addiction are common but costly,” by Ian Anderson and Wendy Wood“I Killed Color on My Phone. The Result Shocked Me,” by Julia Angwin“Social Media Use and Well-Being Across Adolescent Development,” by Ben Singh, Mason Zhou, Rachel Curtis, et al“Evidence for link between digital technology use and teenage mental health problems is weak, our large study suggests,” by Qiqi Cheng and Neil Humphrey“The casino-fication of news,” by Judd Legum
On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.
I thought the novelty might wear off — yet season 3 is just as good. Perhaps better.
I’m sorry it’s ending.
I’ll miss the music, for one thing.
The Civil War is a big theme. And the plot diverges more from her actual life. More to magic realism.
Thomas Wentworth Higginson (Gabriel Ebert) is an excellent addition. An author, abolitionist, and soldier who was one of the first to recognize the poet’s genius.
A LITTLE madness in the Spring Is wholesome even for the King, But God be with the Clown Who ponders this tremendous scene – This whole experiment of green, As if it were his own!
Quite different than the usual Peter May novel, this one is a bit autobiographical.
The decision of five teenage boys to leave their homes in Glasgow in 1965 and head for London is led by Jack Mackay when he is expelled from school. His friends need little incentive to run away from abusive families and dead end jobs to pursue fame and fortune as a band. However, the boys find the reality to be devastatingly different from their dreams, and within less than eight weeks of their departure, just three of them return home, their lives irrevocably damaged.
Fifty years later, in 2015, a brutal murder takes place in London and the three men, who are now in their sixties, are forced to return to the city to confront the demons which have haunted them and blighted their lives for five decades.
Because I HATE advertising, I subscribe to YouTube Premium for about $10 / month.
Included in that bundle is YouTube Music. I downloaded about 100 favourite songs so I can listen offline on the rare occasion I want music rather than podcasts and audio books.
It includes “YouTube Original” TV and movies, a sad collection of things you’d never want to watch. Google has ALL the money so I’m surprised they don’t buy some streaming platforms and compete against Disney, Netflix and the rest.
BUT their only remaining scripted series is Cobra Kai.
Rick McCharles 